Maybe it’s not a new seam to mine. That rock of British popular culture that puts up a mirror to entertain us or even shock us. There’s always a space for the public to be tickled by the absurd or hamming up of clichéd characters. It’s struck me, particularly on rewatching British TV comedy, how what we find humorous is an indicator of how we might think more generally. Or there’s a peculiar connection.
Obviously, it would be good to look at this subject in an objective way. To see what the evidence says. However, it’s almost impossible to separate personal experiences from any general observations. Afterall, I went to school where we endlessly repeated lines from Monty Python’s Flying Circus. This had our poor teachers totally bemused. Long forgotten is the “woody and tinny words” sketch. It only took a teacher to say a woody word and we’d have hysterics.
Not that Python didn’t offer one or two educational opportunities. In imagination, if nothing else. Try “The Man Who Speaks in Anagrams[1]” as an example.
When Mrs Brown’s Boys[2] became popular, I knew we were in serious trouble. I may be a real snob, but this kind of British “comedy” is a throwback to the worst of the 1970s (almost). To me the show has no merit whatsoever. It’s a sop to a grim set of stereotypes.
Jamilla Smith-Joseph’s short article[3] does point out that British culture is one of seeing the funny side of both us Brits and those strange foreigners. Problem is that in a simmering Brexity climate, we find it so much easier to lampoon our nearest neighbours, European foreigners.
I matured from Python to then enthusiastically embrace “The Young Ones” in my anarchic student days[4]. Now, I rewatch the series and the impacts are curious. In so many ways 21st Century Brits have become tame and unadventurous. The sheer destructive energy that let rip on TV screens delighted in upsetting established norms. Now, lots of people are embarrassed by what was called “alternative” comedy at the time.
Then we grew-up and got jobs. Tony Blair came onto the scene. Born out of that period of change was such masterpieces as “The Think of It”. Hope and optimism descended into spin and panic.
Popular culture and politics do connect. Is it a mirror like refection or is it a subconscious trend indicator? Or even a driving force that sustains a current way of thinking?
British popular culture is not going through a creative period. In 2025, there’s not a lot to recommend. Oddly it’s a series that started with a low budget movie from New Zealand that I find is the best comedy of the moment. “What We Do in the Shadow[5]” is variable in places but has horrendously funny moments.
So, come on British writers it’s time to better lampoon the toolmakers son who sits on the fence. One leg here, and one leg there. Labour’s latest adoption of conservative attire is surly worth funny lines. Something original. Maybe even out of this world.
[1] https://youtu.be/Q1sXeUHBHgk
[2] https://www.imdb.com/title/tt1819022/?ref_=ttep_ov
[3] https://ukandeu.ac.uk/a-very-british-euroscepticism-the-popular-culture-politics-nexus/
[4] Yes, I really did live in a rundown brick terrace, with a hole in the wall as space for a payphone, and a dodgy builder come landlord. Carpets with slug trails and an icebox as a shower.
[5] https://www.imdb.com/title/tt7908628/
John Vincent 