Remembering Anthony Head in Buffy the Vampire Slayer

Is it as far back as early 1997? It’s hard to get my head around that fact. Buffy the Vampire Slayer goes back that far. I must admit that, when it first came out, I wasn’t aware of this enduring off-beat American TV series. I came to watch it later when its reputation started to rise. People started to say: have you seen?

We were in the age when video tape was thought to be advanced technology in the home. Dial up internet consumed time and energy even to do the basics. Phones had wires. On reflection that period, just before the millennium, was a significant one both culturally and in terms of emerging technology.

Vampire stories are nothing new. Ideas have been cycled and recycled ever since the printed word was placed in the hands of avid fiction readers. What’s refreshing about the Buffy saga is that it did venture onto new ground. The idea of a “Hellmouth” opening under an ordinary California school mixed-up lots of crazy notions about what the forces of darkness might do in a sunny community. As a plot device for a series of stories, having a dangerous and mysterious “portal ” is a clever idea.

What’s incredibly smart about the stories is the role of the “Watcher” whose job it was to train and educate Buffy as she faces relentless evil challenges. The character Giles steers her through volumes of supernatural history and helps investigates new perils.

Perfect as the Watcher was actor Anthony Head. He added an authority and stability to what could have become a stream of silliness. He fitted the juxtaposition of a normal, even slightly boring, schoolteacher with a wizard like seriousness of a mature elder. His Englishness added to the contrast between the 1990s and a world of timeless monsters.

With his passing, I’d like to remember Anthony Head as the actor who gave the Buffy series a wide appeal and stopped it becoming no more than a wacky teenage romp. It’s a series that is eminently watchable. The passing of nearly 30-years hasn’t diminished its sense of youthful drama and pure entertainment value.

There’s a list of categories that can describe this TV series. Horror, supernatural, comedy, rites of passage, and even romance. It’s that peculiar mix that makes it so iconic. There’s a 100% focus on the key characters without the inevitable virtual reality stuff that would make it now.

I don’t think it would be possible to remake Buffy the Vampire Slayer. It was of its era. Thanks to those who played their parts so well. It’s watchable anytime. Thank you Anthony Head. 

Note: ITV X have the series to stream:

https://www.itv.com/watch/buffy-the-vampire-slayer/10a5896

Haunting Classics

Five more for Halloween. Yesterday’s blog listed a selection of scary tunes to get everyone in the right mood for the weekend. Digging into the classics one song stands tall. Meat Loaf’s “Bat out of Hell” is so iconic[1]. I can close my eyes. A cassette player in a past motor belts out the bat and suddenly the car is transformed into a likeness of the scene in “Waynes World”.

AC/DC and “Highway to Hell” continues the hellish theme[2]. That song has as much energy as a nuclear power station. Several power stations all connected.

“Zombie” by the Cranberries[3] has a soulful lament that seems hopelessly lost. It’s ring of despair goes beyond its time. Quite a song for this sad time too. A powerful video kicks at the fact that horror is not just imagined – it’s us.

Lost in the gloom of a dire recession and the Midlands in the 1980s, “Ghost Town” by The Specials[4] is seasonal. It’s dark nights, clocks go back, dangerous streets and closed shops. Weary nightclubs sloshing with supressed violence.

Finally, the TV series Twin Peaks intro theme[5]. Why, because it’s so spooky, mystical and endless. Once heard its impossible to unhear. It vainly tries to lift in the middle. That’s nothing as the haunting strums of the bass guitar endlessly plot a path into infinity. I was going to choose the main title music to The Shining. That’s great but not as memorable as eery atmospherics created by the Twin Peaks instrumental.

Although, “Ghostbusters,” by Ray Parker Jr. is so popular I’d put it at the bottom of my list. It’s far to upbeat and has that air of niceness like bubble-gum. Like “Little Shop of Horrors”. It’s good fun but not the stuff of nightmares.


[1] https://youtu.be/3QGMCSCFoKA

[2] https://youtu.be/gEPmA3USJdI

[3] https://youtu.be/6Ejga4kJUts

[4] https://youtu.be/RZ2oXzrnti4

[5] https://youtu.be/nCn3LYqCnrk