It’s easy to sound like a takeout from the four Yorkshire[1]. That emulated sketch where a group of drinking men on holiday try to upstage each other with tales of hardship. It’s beautifully comic because it ventures off into the absurd. Each man is determined to out do the other.
Back in my day. Any sentence that starts like that conjures up a man leaning on a bar in a rustic pub where time has stopped. There are people who make a speciality of reminiscence. A rambling epistle about hardship and struggle. Peppered with a contrast with the ease of contemporary living. Point being how weak and wishy-washy we are now. How enduring and mighty we were in the way back. Most of this is pure nostalgic babble. The Monty Python sketch is funny because it crosses a line. Please reprimand me severely if I cross that wobbly line. Beside it takes comic genius to write a good sketch and I’ve never claimed that ability.
However, telling stories that paint pictures of former times is a good way of setting this time in context. Change is a constant. The decades are ones of accelerating change. That can be unsettling.
This week, for inexplicable reasons my mind wandered off to my parent’s farmhouse kitchen in the mid-1960s. That’s boyhood memories. The back of house room was not quite square. At one end, two substantial painted wood doors faced each other. A draft blow under one when the outside door was open.
A standing stainless-steel sink sat between the two doors. Opposite, a thin steel framed window looked out on the farmyard. Stone walls were a couple of feet thick. That left space for a seat under the window. It was a farmer’s window. Being able to see the road and all business comings and goings from the kitchen table. Looking direct West, the evening sun would play across the yard.
On a weekday. Not a high day or a holiday. That would be a reason to light a fire in the front room. The kitchen was the warmest place in the house. A thumping great cast iron Aga[2] filled an alcove and filled the kitchen with a warmth all day and night. In winter, other parts of the house could be an ice box. Bedroom windows had as much ice on the inside as on the outside of the glass. There’s a good explanation of why the image of that kitchen is so rooted in my mind.
A large sturdy wooden kitchen table sat right in the centre of the room. It had a Formica top in a deep maroon colour. Four chunky turned legs at each corner. An eclectic mix of wheelback chairs permanently tucked in when not in use. If they weren’t, there was no squeezing around the table.
The habit of sitting in the same spot was deep-rooted in practicality. It’s as if we had assigned seating. Naturally the best place to sit was with the Aga at your back. Opposite the Aga, up against the wall was a fridge that must have come from Noah’s days. Next to that was a peculiar free-standing kitchen cabinet unit. They are sold on eBay as mid-century vintage now. Ghastly thing that today’s sellers describe as gorgeous.
One corner of the room had a beaten and battered two-seat sofa. That was a comfortable warm spot. Above it, in the wall was the remains of a bread oven. A hinged iron door was a curiosity covering nothing but cobwebs. It was an age when Linoleum remained a popular floor covering. It was a lot nicer underfoot than the flagstone floor. The flooring took such a bashing that it got replaced with more of the same when holes started to appear.
That room was the heartbeat of the farmhouse. The kitchen table played so many different parts in farm life. It could go from being a butchers block heavy with a side of pork to a desk for tidying up the paperwork. Even the kitchen cabinet unit had a draw full of Sturminster Newton market reports. Auctioneers Senior & Goodwin sent out blue printed reports listing cattle prices every week.
In the simplest way, that’s how I was first introduce to data analytics!
[1] https://en.wikipedia.org/wiki/Four_Yorkshiremen_sketch
[2] https://www.agaliving.com/
John Vincent 