I’ve not done it. I’m always tempted. When I see Boris Johnson’s latest book on the shelf, to turn it around. Anything to discourage the good people of this parish from reading it. The picture of his smiling mug on the front of the book is a horrible reminder of the Brexit years. We’re still in them, and I dearly wish we weren’t.
A wasted decade. What for, I ask? It hits me that this is England. A society that is liberal to the core is obsessed with class. We don’t so much have a class system of the Edwardian era but what we have divides people almost as much. Every day the media trades on stereotypes borne of this embedded class perspective. Having lived in another country for over a decade, I can see it perhaps more than most.
We do joke about it. The pages of the satirical magazine Private Eye would have nothing to write about if “class” was truly a thing of the past. Today’s Parliament remains way overrepresented by a certain class of individual. Usually male.
Last night, I went to see “The Autobiography of a Cad.[1]” This is a story of an Edwardian. You might first think that there’s no relation to any politician of our time. It’s a about a man who has one true love – himself. It’s about how, even events as calamitous as WWI, offer him an opportunity to advantage himself usually at the cost of others.
The toff in question is fictitious. The play is a satirical comedy. It’s a highly entertaining evenings romp through the life of a rampaging chancer. Trust, truth and rules are as nothing in the face of his need to get what he wants. A faithful product of English public schools.
The cad is hazardous to anyone in his orbit. He has no idea of the havoc left in his wake. Ensuring others get the blame for his misdemeanours occupies much of his time. You are left wondering if this is instinctive or learnt this at Eton and Oxford.
Edward Percival Fox-Ingleby claims the title of political titan in his own made-up world. Comedy comes from his efforts to create a story of a colossus.
The play starts as it finishes. Fox-Ingleby standing at a lectern in the rain. Now where have we seen that before?
Watching this, with the intimacy of the Watermill theatre, I was in admiration for the three actors on stage. Galloping at the speed they were, throwing props around and transitioning from year to year was astonishing. I’d recommend this play. Best take a cushion. It’s a long romp.
[1] https://www.watermill.org.uk/events/the-autobiography-of-a-cad
John Vincent 