We talk of optimism and pessimism as if one presides while the other sleeps. It’s not quite like that in consideration of the legacy around us. There’s no doubt that the 1920s and 1930s were years of austerity and depression. The Great War had an overwhelming impact on all sections of society. The buildings that remain from that era, including the house that I once lived in, do record a simpler style. Material chosen for their functional value rather than decorative.
Victorian’s built with flair and every mechanical contrivance that their technology could provide. Value in longevity was integral in their thinking. Who could imagine the sun setting on British empire?
The brief inter-war period was one of concrete and steel. A bit of classicism retained an influence. Form, fit and function played a bigger part. Modernism meant reflecting the advances in technology that were making great pace. Construction was fast.
Aviation was one of the most notable advances. Post-war flying moved from the military to sport, the recreation of the rich and the wonder of the onlooking public. It went together with the race for speed on land. Everything had to be faster and go further.
Maybe it was the Bauhaus in Germany, that set down some much-copied rules. Symmetry and square lines were on the drawing boards of a lot of public architects. It’s the case that some ornamentation was thrown in where the patrons were wealthy. Even that was relatively muted.
What lasted is no abomination of a poverty of ambition. It’s not utopian. It’s not brutalist. There’s instead a simplicity that was authoritative enough but not too ostentatious.
Pictured above is the 1932 Aero Clubhouse at Brooklands[1] in Surrey. It was designed by Graham Dawbarn[2] in what was a typical 1930s style. It set a trend for aerodrome buildings. Buildings like this one added grandeur to aerodromes where sheet metal hangers and small wooden huts were more often to be seen.
I like these enduring, straightforward, practical buildings. Yes, they are a form of British colonial architecture. One that could be easily reproduced anywhere on the globe. In today’s terms not the least bit environmentally friendly or efficient. Nevertheless, there’s an appeal that marks them out particularly when compared to the sheets of glass and skeleton frames of steel of modern aviation facilities.
John Vincent 