Tag: Movies

Power and Choice

How is it so surprising? This transformation that’s taking place. It’s undeniably so. With notable exceptions. Understandable ones. The stories that have filled the last 65-years of my life have been ones where the good American rides in to save the day.

Black and white movies were replaced by Technicolor images of hearty American hero types beating the bad guys. Batman, in his 1960s persona, would outwit dastardly scheming villains. Mild-mannered, decent, and magnanimous.

Fine. We were warned that the more ruthless side of American life was out there on the streets. Captured by iconic movies like Wall Street[1]. But that was the fashion of the times. The 1980s were, both in the US and UK a time of hard-nosed ambition. Often set against a backdrop of industrial decline and hardship summed up by Bruce Springsteen[2] and alike.

Everything has a price. Or so it’s said. In fact, it’s more accurate to say: “Every man has his price.” That crusty old German philosopher, Friedrich Nietzsche put it differently. Like fishing, he suggested that a bait that exists that can attract everyman. Can entice and win over.

If this is your sole mantra, I’d suggest counselling. It’s a shallow way of looking at the world. Not entirely wrong. It’s just incomplete. Let’s face it. The biggest decisions we make in life often have nothing to do with enticements, like money. Certainly, there would be no romantic fiction or fantasy if we were all matched by algorithm according to specified needs and wants. Hey, maybe that will happen one day. Afterall, I can’t discount such a development.

My point is that it’s one thing to make an offer to buy something but, in a free market, if you believe in such, then it’s entirely up to the seller as to how they react. Now, of course, the marketplace may be rigged. Powerplay has a part to play. Swaggering powerful entities, companies or people, may wish to “encourage” a seller to sell. Apply pressure. Crooks and hoodlums have been doing this for centuries. Like saying: “I’ll burn down your barn if you don’t let me have the extra pasture that I want.”

Above where I wrote of dastardly scheming villains, I should have painted a less wholesome picture. Indeed, that’s what happened to Batman. He became portrayed as darker as the villains he faced became darker.

So, how does President Trump want to be remembered when history is written? The Good, the Bad or the Ugly, getting back to the movies.

Greenland is not some titbit that a powerful man can grab and possess. It’s a large island. A cold, remote island with a culture and history all of its own. It’s up to the inhabitants of that island as to the future they choose. Is there an enticement that those inhabitants will not be able to resist? Who knows? However, it seems to me extremely unlikely that an aggressive approach will bring about assession to another country.

[1] https://www.imdb.com/title/tt0094291/

[2] https://youtu.be/W2X0Gf9jfz8?list=RDW2X0Gf9jfz8

Laughing Through Politics

Maybe it’s not a new seam to mine. That rock of British popular culture that puts up a mirror to entertain us or even shock us. There’s always a space for the public to be tickled by the absurd or hamming up of clichéd characters. It’s struck me, particularly on rewatching British TV comedy, how what we find humorous is an indicator of how we might think more generally. Or there’s a peculiar connection.

Obviously, it would be good to look at this subject in an objective way. To see what the evidence says. However, it’s almost impossible to separate personal experiences from any general observations. Afterall, I went to school where we endlessly repeated lines from Monty Python’s Flying Circus. This had our poor teachers totally bemused. Long forgotten is the “woody and tinny words” sketch. It only took a teacher to say a woody word and we’d have hysterics.

Not that Python didn’t offer one or two educational opportunities. In imagination, if nothing else. Try “The Man Who Speaks in Anagrams[1]” as an example.

When Mrs Brown’s Boys[2] became popular, I knew we were in serious trouble. I may be a real snob, but this kind of British “comedy” is a throwback to the worst of the 1970s (almost). To me the show has no merit whatsoever. It’s a sop to a grim set of stereotypes.

Jamilla Smith-Joseph’s short article[3] does point out that British culture is one of seeing the funny side of both us Brits and those strange foreigners. Problem is that in a simmering Brexity climate, we find it so much easier to lampoon our nearest neighbours, European foreigners.

I matured from Python to then enthusiastically embrace “The Young Ones” in my anarchic student days[4]. Now, I rewatch the series and the impacts are curious. In so many ways 21st Century Brits have become tame and unadventurous. The sheer destructive energy that let rip on TV screens delighted in upsetting established norms. Now, lots of people are embarrassed by what was called “alternative” comedy at the time.

Then we grew-up and got jobs. Tony Blair came onto the scene. Born out of that period of change was such masterpieces as “The Think of It”. Hope and optimism descended into spin and panic.

Popular culture and politics do connect. Is it a mirror like refection or is it a subconscious trend indicator? Or even a driving force that sustains a current way of thinking?

British popular culture is not going through a creative period. In 2025, there’s not a lot to recommend. Oddly it’s a series that started with a low budget movie from New Zealand that I find is the best comedy of the moment. “What We Do in the Shadow[5]” is variable in places but has horrendously funny moments.

So, come on British writers it’s time to better lampoon the toolmakers son who sits on the fence. One leg here, and one leg there. Labour’s latest adoption of conservative attire is surly worth funny lines. Something original. Maybe even out of this world.

[1] https://youtu.be/Q1sXeUHBHgk

[2] https://www.imdb.com/title/tt1819022/?ref_=ttep_ov

[3] https://ukandeu.ac.uk/a-very-british-euroscepticism-the-popular-culture-politics-nexus/

[4] Yes, I really did live in a rundown brick terrace, with a hole in the wall as space for a payphone, and a dodgy builder come landlord. Carpets with slug trails and an icebox as a shower.

[5] https://www.imdb.com/title/tt7908628/

Classic Christmas Movies

So few days to Christmas. It’s a well-known fact that time accelerates at the end of the year. All those jobs that I’d promised I’d get done by the end of the year now seem hopeless. Schedules get shredded. Looming over the horizon is the prospect of a new year diary.

With the weather blowing a gale and travel being intermittently unadvisable it’s better to slump on the sofa. Switch the box on and see if any of the streaming services have anything entertaining to watch. And wow there’s a lot of complete tosh out there in digital streaming land. Two hours can easy be lost in a gravy wasteland of TV nothingness.

Here’s my list of movies that I’m not disappointed to see turn-up every year. Christmas favourites bound to bring in an audience. The list changes a little every year and so does the world. Not for me candy coated Technicolor, snooze making romance flicks. Put aside the family hijinks and plots out of the script writer’s dustbin. Let’s have some real classics.

Starting where the movie that is almost immortal.

A Christmas Carol.

Charles Dickens’ Christmas ghost story has been made and remade more often than a roman road. My favourite is Alastair Sim as the “real” Scrooge. From 1951, this black and white version of the story has every magic ingredient. A grumpy old man on the road to Damascus.

The Muppet Christmas Carol.

People and puppetry blend seamlessly with Scrooge’s well-trodden voyage. Those universals of past, present and future entwine. The very word entertainment was made for this movie.

Elf.

It does matter who plays the part. Will Ferrell is ungainly, innocent and overflowing with goodness. He’s an elf on a quest. Beautifully knitted together, Buddy’s journey is unmissable.

It’s A Wonderful Life.

Again, supernatural contrivances shape a man’s destiny. This well-worn movie is a roller-coaster of emotions. From the deepest depression to the highest joys. Happy endings are why such tales hook us every time.  

The Grinch.

The creature who stole Christmas. Borrowing from the meanness of Scrooge, this character shows us how the seasons joy expels the little green monster of envy. A film with a message and the message is – have fun.

White Christmas.

Unquestionably a song-and-dance movie that transcends song-and-dance. We all hope that we could have comrades and colleagues who would think so much of us. A celebration of life well lived.

Miracle on 34th Street.

Fine it’s Americana write large. That said, Richard Attenborough is so much the part that I start to believe in Father Christmas. It’s a reminder that Department Store’s have a special place at Christmas despite Tom Lehrer’s “Christmas Carol”. 

I’m sure others should be added to this short list. What’s here are first thoughts written on a scrap of paper now sent to recycling.

DUNE Part Two

It’s long. It’s engrossing and it’s a saga well told. That was my Monday afternoon. Sat in a comfortable seat curtsey of the Everyman in Reigate. The movie of DUNE is spread over 2-parts[1]. The second part is just out. It’s release was much delayed by the strikes in Hollywood. I’d say from my viewing this movie was well worth waiting for.

The whole world of DUNE centres around the most valuable commodity in the galaxy. A flash of an explanation can easily be missed. The desert planet Arrakis is the one source of that commodity. Science Fiction has a wonderful way of taking us to fantastical worlds filled with issues that are not so far from current day dilemmas. The commodity of Spice reminds me of several sought-after substances. The exploiting of valuable commodities at the expense of indigenous life has been a hallmark industrial progress.

In the imagination of Frank Herbert civilisations exist and compete within one almighty empire. The story in part 1 and 2 movies hinges on the dreams of a young man named Paul Atreides. I don’t want to give away key plot points but he’s special in so many ways.

Themes extend over the role of brutality and war in either imprisoning people or liberating them. I guess Frank Herbert didn’t see the passage of 800 centuries as a pathway to saving us from the 4-horsemen of the apocalypse. With that in mind, he’s stollen from religious texts as much as a Shakespearean landscape of ideas and the hero’s journey from Greek myths.

The enduring nature of grand sagas that show “good” overcoming “evil” have an immense appeal. All the twist and turns along the way and the troublesome megalomania that accompanies the coming of a liberator are as fresh ever.

DUNE long precedes Star Wars. The latter is cruder in pulling the emotional hearts strings and much more simplistic. The leadership of the Fremen people and mastering of “desert power” to defeat a devious Emperor doesn’t bring universal peace. In the span of the film, the planet Arrakis is freed form the cruel Harkonnen family. That is by no means the end of the story.

The intriguing role played by the Bene Gesserit women is a play over generations where influence is maintained regardless of who’s Emperor. This poses the question of the source of religion. Does it guide the Bene Gesserit (high priests), or do they guide it?

Back to the movie. I like the way it veers from the intimate relationships between individuals to the incredible sweep of vistas and strange technological imaginations. It deals with the environment and the nitty gritty drives and motivations of tyrants and powerful leaders. Is it inevitable that concentrated power produces a dark future. If the answer is “yes” we are in deep trouble with the digital world of now. We will not need to wait for thousands of years.

My recommendation is – see it. Choose the most comfortable seat in the cinema. Go on a rainy overcast day. Don’t go if your mind is cluttered up with trivia. By the way, the list of movies coming soon is dreadful. We are going into a nostalgic remake agony fest.

[1] https://www.dunemovie.net/

Scary 2

My list is still open for horror in aviation. I’ve opened the door to action movies with elements of horror. I’m excluding war movies and fighter pilot romps. A dramatic scene must have a moment of suspense when everything hangs on a thread. It could be a hide behind the sofa moment or felling that all is lost, and the faint light of hope is dimming. I was tempted to include zombie movies only to quickly come to my senses and say – no. I’ve avoided Snakes on a Plane. One, because I haven’t seen it. Two, because it’s write-ups suggest that it’s too ridiculous for words. Although, it’s not impossible. It’s even happened on general aviation flights.

Here’s five more movies, ancient and modern in my private list.

There’s an adaptation of the book No Highway. With actors James Stewart and Marlene Dietrich in the movie you would have thought it would have been a big smash. No Highway in the Sky is pedestrian, but the tension comes from us knowing that metal fatigue is real. Why don’t they believe it? We know the history of the first commercial jet, the Comet aircraft.

The original Flight of the Phoenix is a great suspense movie[1]. It’s not so much horror as intensely griping. Frightening in the sense that it tells us something about the good and bad of human behaviour. The constant battle between despair and what can seem like hopeless optimism in the face of terrible odds. Through gargantuan effort, crash survivors stranded in a desert survive.

There’s something especially frightening about aircraft crashes and danger in the cold white wastes of the poles. Again, passengers and crew struggle to stay alive in freezing weather in the desperate hope of rescue. Stranded, death visits the unfortunate survivors. Ordeal in the Artic[2] is a chilling movie of 1993 based on real events in 1991.

Final Destination has simple plot[3]. A student has a premonition, he and his friends get thrown-off a flight to Europe and then when they are back in the terminal there’s a fatal crash. They cheat death. But that’s not the end. That set-up is the ultimate scary imagining. It’s the what if? It’s the question survivors of aircraft accidents must ask – why me?

The 1955 British movie The Night My Number Came Up[4] plays on a similar theme but this time a nightmare before a planned journey. A bad dream of an aircraft crash. Will it happen just as the dream predicts. You must watch to find out.

Generally, in films there’s so much pure aeronautical nonsense on display. Commercial aircraft do not fall out of the sky when struck by lightning, flight crews do not lose control at the first sign of trouble, fuel doesn’t explode for no reason and the worst of weather doesn’t signal game over.

That said, there’s an inherent claustrophobic feeling inside an aircraft fuselage. It’s like a locked room drama. Passengers are isolated from the outside world. They are dependent on pilots, engineers and air traffic controllers all doing their jobs right. There’s the potential for this set-up to be the stage for an excellent dramatic horror movie. Tales of bravery, camaraderie, and sacrifice can all spring from the most dreadful of events. Unfortunately, so many movie makers make a mess of these situations.  

[1] https://www.imdb.com/title/tt0059183/?ref_=ttls_li_tt

[2] https://en.wikipedia.org/wiki/Ordeal_in_the_Arctic

[3] https://www.imdb.com/title/tt0195714/

[4] https://www.imdb.com/title/tt0047278/?ref_=ttls_li_tt