Nostalgia vs. Innovation

My generation, and those a bit older than me, are inclined to shrug shoulders and, in a war wearied way, lament the passing of a great era. It’s not merely nostalgia. Although there’s a degree of selective memory in what we choose to remember as good.

This week, at the BBC Proms, I sat down in the bar at the interval and was joined by a friendly couple and another. We all had the grey hairs that qualified us as Prommers[1]. It soon became clear that the older gentlemen was a music buff who had been going to the BBC Proms since the 1960s. I’ve been going since 2018. Still an innocent bystander learning the Promming ways.  

The intensity of my companion’s conversation was fascinating. Firstly, it was to comment, unfavourably, on the contemporary music that’s a hallmark of recent concerts. I liked it. I’d say it was a winsome winding through a wood accompanied by crickets playing soft percussion. Not so much adventurous as intriguing music for the Albert Hall. The view from the sofa was that these new musical fillers were a waste of time. There was a time when entire concerts were avant-garde and challenging. About the 1970s/80s, or thereabouts.

Let’s reflect. I think what the BBC is now going through is what a whole British generation is going through. An existential crisis. Not so much stop the world I want to get off, as a howl of irritation. Another sign is the annoying advert where the BBC heralds itself as a national treasure. Using the Monty Python line – what have the Romans ever done for us?[2]

The winds of change can be cruel. That’s not new. However, we’ve had a couple of decades coming to the realisation that some traditional ways of doing things are not going to nicely evolve into a recognisable future state. Incremental change has its benefits. Trouble is that it puts off the day when something more substantial needs to be done.

On two specific British cultural assets – music and comedy, we can’t afford to hang onto repetitive formats and a dependency on the likes and dislikes of an aging population.

Ghastly mush like, Mrs. Brown’s Boys is a blight on our televisions. Although it was an important part of my youth, endless repeats of Top of the Pops belong in a museum. If the BBC takes the road that only mines the past or tickles one section of the country, its fate is sealed.

Take Monty Python as an example. When first proposed it looked foolish, hopeless and niche. What’s the betting that there are creative people out there now who are being told to go away. The plethora of MBAs in media decision making roles shudder at taking risks.

Yes, there is a future for the BBC. Thing is it needs an immense kick up the backside in the fashion of Bishop Brennan. https://youtu.be/7PyI9q9AX1A?t=1335


[1] https://www.royalalberthall.com/visit/bbc-proms-faqs

[2] https://www.imdb.com/title/tt0079470/quotes/?item=qt0471953